Tony Dayimane Releases Introspective New EP “Girls & MP3’s”
Tony Dayimane Releases Introspective New EP “Girls & MP3’s.” Durban’s fast-rising hip-hop force Tony Dayimane has officially unveiled his much-anticipated new EP, Girls & MP3’s, today, February 13, 2026, ushering in what many are already calling one of his most personal and revealing bodies of work to date.
The five-track offering arrives on all major streaming platforms, including Apple Music and Spotify, and finds the Durban lyricist peeling back the layers of fame, romance, ambition, and vulnerability. Known for his commanding delivery and street-rooted storytelling, Dayimane shifts gears on this project, inviting listeners into the emotional experiences that shape him both as an artist and as a man.
In recent conversations around the rollout, Dayimane described Girls & MP3’s as the closest fans may ever come to understanding his love life. That sentiment echoes throughout the EP, where themes of late-night calls, complicated relationships, longing, and loyalty intertwine with his unwavering devotion to music. The title itself reflects the dual forces at the centre of his world: women and sound, romance and rhythm, heartbreak and hustle.
The project opens with “Yano Star,” a solo cut that immediately sets a reflective tone. Over a polished yet hard-hitting beat, Dayimane delivers introspective bars that balance confidence with contemplation. It feels like both a statement of intent and a diary entry, reminding listeners why he remains one of Durban’s most compelling young voices.
On “Woza” featuring Lero 17, the energy shifts. The track injects a collaborative spark into the EP, blending Dayimane’s sharp cadence with Lero 17’s dynamic presence. The chemistry between the two artists adds texture to the project, creating a moment that feels built for both the streets and the stage.
The already familiar “9 Missed Calls” featuring Thatohatsi builds on the buzz it generated during its earlier release last year. The song captures the emotional chaos of missed connections and unresolved tension, pairing melodic elements with confessional lyricism. Its inclusion on the EP strengthens the overarching narrative of romantic turbulence, while reaffirming its place as a fan favorite.
Perhaps one of the standout moments comes with “Asiyeke,” featuring the ever-respected Sjava. The collaboration bridges raw hip-hop energy with soulful depth. Sjava’s emotive vocal presence elevates the track, while Dayimane meets him with verses that feel heartfelt and deliberate. Together, they craft a song that resonates beyond surface-level storytelling, touching on themes of letting go and emotional maturity.
Closing the project is “Where Would I Be,” a reflective finale that ties the EP’s themes together. Here, Dayimane looks inward, questioning the paths taken and the choices that shaped him. It serves as both a conclusion and an open-ended reflection, leaving listeners with a sense of growth rather than finality.
The release lands on a busy day for South African hip-hop, sharing the spotlight with Blxckie’s 4LUV2: B4YENA. Yet despite the crowded release calendar, Girls & MP3’s is carving out its own distinct lane. Early reactions across social media suggest that fans are deeply connecting with its emotional transparency. Some have praised the EP’s raw honesty, while others have pointed to the cohesive production and carefully chosen features as highlights.
Coming off the momentum of Big Boy II in 2025, Dayimane continues to demonstrate evolution without losing the authenticity that built his core fanbase. His consistency over recent years has positioned him among the most promising voices in the current SA hip-hop landscape. Beyond this EP, whispers of a potential joint album with Usimamane have added even more intrigue to what is shaping up to be a defining year in his career.
With Girls & MP3’s, Tony Dayimane does more than drop another project. He offers a window into his personal world, balancing vulnerability with bravado and melody with message. In a year already heating up for South African hip-hop, this EP signals that Dayimane is not only present in the conversation but actively shaping it.